You posted and prayed
Three TikToks, a story, a Reddit comment. 400 views. The song is good. The distribution is nonexistent. Reach isn't luck, it's inventory you buy or build.
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Music marketing · Independent artists & labels
You made the record. That was the hard part, and it's the only part that doesn't get you streams. We build the machine that puts it in front of people who press play, save, and come back.
Taking a limited number of artists per month.
So… you dropped.
Three TikToks, a story, a Reddit comment. 400 views. The song is good. The distribution is nonexistent. Reach isn't luck, it's inventory you buy or build.
$300 on a playlist that's 90% bots. A "promo package" that got you a story repost at 3am. Money spent on vanity numbers that Spotify's algorithm ignores.
Cutting clips, chasing pages, rewriting captions, guessing at ad targeting, while the next record doesn't get made. Marketing became a second job you're bad at.
There's a reason most independent releases die in week one. It isn't talent. Nobody built the press behind it.
What we run
We place your record on the pages your audience already scrolls: music, meme, niche and culture accounts with real followings. Sourced, negotiated, scheduled and tracked, so you know exactly which page moved the needle and which one lied.
Xan@guynotgod2,741
TruScene@TruSceneIG4,142
Yoo1940@yooo19402,956
learti@leartifr2,525
hamza@goinschitz1,649
zaybean@zaybeann2,455
Xan@guynotgod2,741
TruScene@TruSceneIG4,142
Yoo1940@yooo19402,956
learti@leartifr2,525
hamza@goinschitz1,649
zaybean@zaybeann2,455Meta and TikTok campaigns built for streams, not impressions. Front-loaded spend to trigger algorithmic pickup, creative tested in batches, targeting built off real listener data, with Spotify metrics tracked against every dollar.
Ads are only as good as the thing inside them. We tell you what to make and why: which idea is worth shooting, what the campaign narrative is, how the visuals need to look to land in this genre, and we brief and direct whoever makes them. You are not guessing at what good looks like on your own.
How it runs
Marketing a record isn't one push. It's a loop that gets sharper every week. Each cycle runs seven days and feeds the next one.
We pull your catalog, socials and past campaigns apart. Where the listeners are, what's converting, what's dead weight. You get a written rollout plan before a dollar moves.
Creative gets cut, pages get booked, campaigns get structured. Everything is prepped as a batch so the whole week launches together instead of trickling out.
Placements go live, ads scale into what's working and get killed where it isn't. Daily monitoring. Nothing is set and forgotten.
One clear report: spend, streams, saves, follower delta, which page and which creative did it. That data writes next week's plan.
Real numbers from a real campaign. See the case study below. Results vary by genre, budget and record. We don't promise numbers, we promise the work and the receipts.
Selected work
Not projections. Screenshots from the artist dashboard, and the placement that moved them. More going up as campaigns finish.
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Packages
This is what it costs to have your marketing run for you. Monthly, cancel anytime, no long contracts and no setup fees. Your promo budget is separate.
One record, run properly.
$1K/mo
A full rollout, every week.
$2K/mo
Your whole marketing department.
$5K/mo
One release, 30 days, run exactly the way we run a full account. Rollout plan, placements sourced and booked, ad campaign built, creative directed, and a report at the end showing what each piece did. One time, not a subscription. If it works you move up to Seed or Press, and if it does not you have lost a month instead of a year.
Promo budget still separate and quoted at cost, same as every tier.
These are management fees, not your promo budget. What you pay above covers strategy, creative direction, campaign narrative, sourcing, negotiation, production oversight and reporting. The money that actually buys placements, playlist spots and ad inventory is separate, quoted at cost, and never spent without your sign off. You keep every ad account in your own name.
Contact
Send the record, the socials, and what you're trying to hit. You'll get a straight answer on whether we can do it, usually same day.
Producers, videographers and editors we trust get pulled in around your project, briefed and directed by us so every piece serves the same narrative.